Pen Freak

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The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 STAGE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.heros-journey.info/ for full details)

*****First Trial Inner Cave - Polarization*****

A number of things happen in the Inner Cave of the First Trial. One element is Polarization. In Bonnie and Clyde (1967), Bonnie and Blanche argue.

*****Chance Meeting*****

It is not unusual for the Heralds to meet the Hero by chance. Often, they have intended to search for something or someone else. In Star Wars (1977), C3PO and R2D2 do not intend to find Luke Skywalker. In Dances with Wolves (1990), the General did not expect to see John Dunbar attempt suicide. In The Magnificent Seven (1960), the farmers expected to find someone, but not necessarily Chris and Vin.